J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Portrait of Countess D'Haussonville. | Portrait of Mademoiselle Riviere. | The Virgin of the Host | Self portrait at age 24 | Portrait of Madame Moitessier Standing |
Related Artists:
Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.
Charles Sprague Pearce
For other people named Charles Pearce, see Charles Pearce (disambiguation). Charles Sprague Pearce (October 13, 1851 - May 18, 1914) was an American artist.
Samuel Lancaster Gerry
(1813-1891) was an artist in 19th-century Boston, Massachusetts. He painted portraits, and also landscapes of the White Mountains and other locales in New England. He was affiliated with the New England Art Union, and the Boston Artists' Association. In 1857 he co-founded the Boston Art Club. Born in Boston, Gerry was self-taught as an artist. He showed works in many public settings, such as the 1841 exhibit of the Massachusetts Charitable Mechanic Association; and an 1879 exhibit of contemporary art at the Museum of Fine Arts, Boston. He attended the 1860 convention of the National Art Association in Washington, DC. New England Homestead, 1839, by S.L. GerryStudents of Gerry included H. Frances Osborne, Samuel Green Wheeler Benjamin, Fannie Elliot Gifford, Charles Wesley Sanderson, and J. Frank Currier. With the exception of three years abroad, his professional life was passed chiefly in Boston